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The recent James Webb Space Telescope(JWST) guide camera’s test image looks really similar to Hubble’s deep fields, which are my favorite. I decided to take a long exposure to the same target to see what my telescope can see and compare it to JWST’s image. I found one really faint galaxy 26–32 million light-years away, and a cute planetary nebula called Abell 39, pause and see if you can find it in my image.

- Scope: Celestron RASA 8.
- Mount: Ioptron cem40.
- Camera: ZWO ASI183mm pro.
- Guide scope: ZWO mini120mm.
- Guide Camera: ZWO ASI224mc.
- Filter: Astronomik MaxFR 12nm Ha filter.

NASA article: https://www.nasa.gov/image-feature/countdown-to-the-webb-telescopes-first-images.

More of my astrophotography work on Instagram.

Head to https://www.squarespace.com/marcushouse to save 10% off your first purchase of a website or domain using code MARCUSHOUSE

Quite the inspirational week this one with the complete set of JWST First Images. Loads of Starship and Starbase news. Last week I mentioned that it was fire time for Starbase, and…WOW… I was not wrong there. SpaceX’s Starship Booster 7 has gone for repair after explosion. Falcon 9 launches for both Starlink and finally CRS-25. We also had the very first launch of Vega C. Rocket Lab firing off another Electron, and more. So enough of this intro. Let’s crack on with it!

Everyday Astronaut — Elon Musk Explains SpaceX’s Raptor Engine!

End Screen Music — Isle of Rain by Savfk.

Mr. Shadow is a song composed with Artificial Intelligence. It was created by Flow Machines, a technology that learns different music styles and then makes up its own songs based on what it’s been fed. Although the voice in the song sounds peculiar at times, I could have easily been fooled into thinking a person made this song. You can download Flow Machines onto your apple device to make your own AI music.

Force fields are a staple of science fiction, but usually regarded as only science fiction, not science fact. Today we’ll examine the notion and see what options we might have inside known science, as well as what alternatives might achieve similar effects.

See Hydrodynamic levitation at Cody’s Lab:

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Cover Art by Jakub Grygier: https://www.artstation.com/artist/jakub_grygier.

Graphics Team:

Cosmologist, noted author, Astronomer Royal and recipient of the 2015 Nierenberg Prize for Science in the Public Interest Lord Martin Rees delivers a thought-provoking and insightful perspective on the challenges humanity faces in the future beyond 2050. [3/2016] [Show ID: 30476]

Frontiers of Knowledge.
(https://www.uctv.tv/frontiers-of-knowledge)

Explore More Science & Technology on UCTV
(https://www.uctv.tv/science)
Science and technology continue to change our lives. University of California scientists are tackling the important questions like climate change, evolution, oceanography, neuroscience and the potential of stem cells.

UCTV is the broadcast and online media platform of the University of California, featuring programming from its ten campuses, three national labs and affiliated research institutions. UCTV explores a broad spectrum of subjects for a general audience, including science, health and medicine, public affairs, humanities, arts and music, business, education, and agriculture. Launched in January 2000, UCTV embraces the core missions of the University of California — teaching, research, and public service – by providing quality, in-depth television far beyond the campus borders to inquisitive viewers around the world.

What happens when machines begin to question their origins?

In this short film created with generative art, we explore how artificial intelligence sees the universe, its creators, and its potential futures. I believe the emergence of artistic A.I. has touched off a new era for art that could be as profound as the first cave paintings, 50,000 years ago. If these artistic capabilities are possible after only a few decades of A.I., research, what will the next 50,000 years hold? What will we become?

Crafted by Melodysheep in collaboration with artificial intelligence.

Supported by the good people at Protocol Labs:

A camera system developed by Carnegie Mellon University researchers can see sound vibrations with such precision and detail that it can reconstruct the music of a single instrument in a band or orchestra.

Even the most high-powered and directed microphones can’t eliminate nearby sounds, ambient noise and the effect of acoustics when they capture audio. The novel system developed in the School of Computer Science’s Robotics Institute (RI) uses two cameras and a laser to sense high-speed, low-amplitude surface vibrations. These vibrations can be used to reconstruct , capturing isolated audio without inference or a microphone.

“We’ve invented a new way to see sound,” said Mark Sheinin, a post-doctoral research associate at the Illumination and Imaging Laboratory (ILIM) in the RI. “It’s a new type of , a new imaging device, that is able to see something invisible to the naked eye.”